| Grade
5
AH-E.1.1.31
Rhythm: meter (duple, triple), time (meter) signature (2/4, 3/4,
4/4), bar lines, rhythmic durations (whole, half, quarter and
8th notes and rests), fermata (1.14, 2.24)
AH-E.1.1.32
Tempo: slow, fast. (1.14, 2.24)
AH-E-1.1.33
Melody: shape, direction (up, down, same, step, skip), treble
clef sign, pitch notation (notes from middle C to F at top of
staff), high vs. low
notes (pitches) (1.14, 2.24)
AH-E.1.1.34
Harmony: unison, parts, intervals, tonality (major, resting
"home" tone)
AH-E.1.1.35
Form: call and response, two-part (AB), three-part (ABA),
round, verse/chorus, repeat signs (1.14, 2.24)
AH-E.1.1.36
Timbre: instrument families (brass, woodwind, string,
percussion, folk), voice parts (high, low), sounds of
voices and instruments (1.14) AH-E.1.1.37 Dynamics: soft
(piano), medium soft (mezzo piano), medium loud (mezzo forte),
loud (forte) (1.14, 2.24)
AH-E.1.1.38
Identify and discuss simple musical forms (see list under
elements) (2.23)
AH-E.1.1.39
Recognize and be able to distinguish families of instruments (brass,
woodwind, percussion, string, folk) and/or vocal timbres.
(2.23)
AH-E-1.2.31
Identify similarities and differences in musical elements used
in the music of Native American, American Folk, and West African
cultures, including instruments unique to each culture. (2.23,
2.24, 2.25, 2.26)
AH-E-1.2.32
Identify and discuss various styles of music (blues, spirituals,
popular, rock, rap, country, game songs, folk songs, work songs,
lullabies, marches, patriotic, bluegrass). (2.24, 2.25, 2.26)
AH-E-1.2.33
Identify composers (Bach, Handel, Vivaldi) and instruments
(organ, harpsichord, orchestral families) unique to the Baroque
period. (2.25)
Grade 8
AH-M-1.1.31
Rhythm: syncopation, time signature (6/8), asymmetrical
meter (5/4), rhythmic durations (16th notes and rests, dotted
notes)
AH-M-1.1.32
Tempo: Allegro, Moderato, Largo
AH-M-1.1.33
Melody: phrase, cadence, bass clef sign; pitch notation
(notes): letter names of bass clef, lines and spaces, sharps(#),
flats (b); key signatures: up to 2 flats and 2 sharps
AH-M-1.1.34
Harmony: harmonic progression, triads (chords) based on
major/minor scale patterns of whole and half steps
AH-M-1.1.35
Form: rondo, theme and variations, 1st and 2nd endings,
D.C. (da capo), D.S. (dal segno), al fine, coda, coda sign
AH-M-1.1.36
Timbre: acoustic instruments, synthesized sounds,
electronic instruments, voices (soprano, alto, tenor, bass),
keyboards
AH-M-1.1.37
Dynamics: crescendo, decrescendo, very loud (fortissimo), very
soft (pianissimo), dynamic markings: pp, p, mp, mf, f, ff, <,
>
AH-M-1.1.38
Describe the use of elements in musical examples. (2.22, 2.23,
2.24, 2.25, 2.26)
AH-M-1.1.39
Analyze musical forms (see list under elements). (1.14, 2.23)
AH-M-1.1.310
Identify and classify folk and orchestral instruments
according to family. (2.23)
AH-M-1.1.311
Distinguish between voice parts (soprano, alto, tenor, and
bass). (2.23)
AH-M-1.2.31
Identify and compare various styles and functions (recreational,
ceremonial, and artistic expression) of music from European and
Asian cultures using appropriate vocabulary. (2.25, 2.26)
AH-M-1.2.32
Identify and compare various styles of music (jazz,
spirituals/gospel, Broadway musicals, opera, ballads). (2.24,
2.25, 2.26)
AH-M-1.2.33
Analyze, interpret, and evaluate how factors such as time,
place, and ideas are reflected in the music of the Renaissance,
Baroque,
Classical, Romantic, and 20th Century. (2.22, 2.23, 2.24, 2.25,
2.26)
Grade 11
AH-H-1.1.31
Identify and discuss characteristics of extended musical
forms [including overture, sonata, symphonic
movements, and opera (overture, aria, recitative)]. (2.23)
AH-H-1.1.32
Use elements of music (including melodic motif and
development) to describe how musicians compose, perform, and
improvise. (1.14, 2.22, 2.23, 2.24, 2.25, 2.26)
AH-H-1.1.33
Interpret music notation and symbols. This includes all previous
notation and symbols introduced in fifth and eighth grades, with
addition of the grand staff (treble and bass clefs, including
middle c). (1.14, 2.23)
AH-H-1.1.34
Identify skills and training necessary for a variety of careers
related to music. (2.23, 2.24)
AH-H-1.2.31
Identify and compare various styles and functions
(recreational, ceremonial, and artistic expression) of music
from European and Latin American cultures. (2.25, 2.26)
AH-H-1.2.32
Analyze and describe how factors such as time, place, and
belief systems are reflected in music (See A & H
Reference Chart). (2.25)
AH-H-1.2.33
Analyze and describe music’s influence on belief systems,
its influence on history, and its ability to shape culture [(e.g.,
patriotic songs, music as marketing, protest songs, current
popular music strongly influenced by African-American and
Hispanic themes (See A
& H Reference Chart)]. (2.25)
AH-H-1.2.34
Compare a work of music to a work from the same stylistic
period in another arts discipline [(e.g., Impressionism:
Monet to Debussy),
(See A & H Reference Chart)].
|